UZBEKISTAN MAQOM ART: HISTORICAL DEVELOPMENT AND REGIONAL TRADITIONS

Authors

  • Xaydarova Rozaxon Professor, Department of "Maqom Instrument Performance" of the National Institute of Music named after Y. Rajabiy Author

Keywords:

Maqam, Shashmaqom, Duvozdahmaqom, Khorezm maqams, Fergana maqams, Ishoq Rajabov, musical heritage, oral tradition, national music culture.

Abstract

This article explores the historical development and regional traditions of Uzbek maqam music. It analyzes key schools such as the Bukhara Shashmaqom, Khorezm maqams, and the maqam repertoires of Fergana and Tashkent, highlighting their aesthetic and cultural significance. Special attention is given to the scholarly contributions of Dr. Ishoq Rajabov, the sacred status of maqams, and the continuity of oral traditions. The maqam is presented as an invaluable cultural heritage that reflects the spiritual and national identity of the Uzbek people.

Downloads

Published

2025-06-19

Issue

Vol. 1 No. 3 (2025)

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

UZBEKISTAN MAQOM ART: HISTORICAL DEVELOPMENT AND REGIONAL TRADITIONS. (2025). Modern American Journal of Engineering, Technology, and Innovation, 1(3), 150-157. https://usajournals.org/index.php/2/article/view/495