ACTING SKILLS IN WORKING WITH IMAGINARY OBJECTS AND ITS PSYCHOLOGICAL BASIS

Authors

  • Zamira Akhmedova Associate Professor, Department of Dramatic Theater and Cinematography, Uzbek State Institute of Arts and Culture Author

Keywords:

Magic if, scenic attention, creative imagination, inner energy, space, physical action, psychological justification.

Abstract

This article analyzes one of the most essential elements of acting—the process of working with imaginary (non-existent) objects. Based on K.S. Stanislavski’s principle of the "magic if" and Michael Chekhov’s theory of inner psychological energy, the study explores methods for achieving harmony between an actor’s attention, imagination, and physical action.

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Published

2026-02-02

Issue

Vol. 2 No. 1 (2026)

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

ACTING SKILLS IN WORKING WITH IMAGINARY OBJECTS AND ITS PSYCHOLOGICAL BASIS. (2026). Modern American Journal of Social Sciences and Humanities, 2(1), 85-91. https://usajournals.org/index.php/3/article/view/1906